Tori Wrånes: BIG WATER

Tori Wrånes has long made use of various figures and creatures, which she depicts performing rituals in their own, dreamlike worlds. The exhibition’s title piece, BIG WATER (2022), is a large-scale, six-channel sound and video installation depicting ancient or primordial fur-covered creatures diving and playing willow flutes as they move in harmony with the rhythm of the sea on the coast of Thailand and in the arctic waters of northern Norway. The immersive intensity of the piece is heightened by the slowly rotating viewing platform in the centre of the installation.

“The creatures in the video are ageless ancient beings that were born from the tears of a mountain mourning the world’s destruction. They celebrate the eternal movement and global circulation of the world’s waters, the motions of celestial bodies, and the changing seasons across the globe. The creatures exist beyond consumerist culture, free of gender roles and body image pressures,” says Tori Wrånes.

The video installation will be presented in HAM’s great arched hall alongside performance-like sculptures comprising ready-made objects and motorized movement. The figures in the sculptures consist of strangely mixed elements and their fluid identity is of indeterminate gender. They embrace multiplicity instead of binaries and absolutes. Recurring elements such as bags and gateways evoke the idea of a voyage or an expedition to new frontiers.

Tori Wrånes (b. 1978, Norway) works across multiple disciplines, weaving together sound, visual art, and performance in her practice. Through warm humour, she crafts a new reality that transcends familiar cultural norms and standards. Central themes in her art are the freedom to be oneself, to explore, to encounter the new, and to empathize. Wrånes has exhibited her work around Europe and also further afield in Australia, the United States and Asia.